Now this is an exhibition, more aptly an experience, that should not be missed. These extraordinary formed leather works by the Carrs will take your breath away as your mind spins into imagination mode to reach the height of satisfaction. Yes leather! I couldn't believe it either, had to touch one to ascertain it wasn't carved wood or cast bronze or burnished clay or woven thick fibre.
The Carrs' collaboration seems to be quite unique. It appears as though two minds and four hands work as one artist in the conception and construction of these large wall and plinth works. It brings to mind how several ancient artisans worked together, each in their own expertise, to produce the structures and components needed for sacred practices. And these works do hint of ritual yet somehow they have the power to suggest both past and future.
Consider the kayak shaped Untitled (catalogue exhibit #9) constructed of wet formed, dyed and incised leather. The symmetry of shape, precision and intricacy of detail on the outside, and the smoothness of the round bowl set inside, conjure up the idea of a perfect vessel used for offerings to the gods. Even the incised markings in the gold painted bowl suggest secret writing; not to be read but more to enhance whatever sacrifice is placed within. Other container and platter-like forms boast well defined textural outer surfaces, some reminiscent of carved wood or tightly woven fibre. All have smooth gold or red painted interiors hosting linear marks and patterns. These excellent vessels would satisfy the strictest demands made by any ancient shaman, pagan priest, or temple keeper.
The large wall works appear more futuristic as they suggest what might constitute art in some 'post apocalyptic' age. For example the gold painted Midas Sky involves a large (158 cm x 99 cm) rectangular surface with two corners curved out from the wall on one side, while the other side is held flat by planks of leather resembling metal checker plate. The painted surface is mottled and hosts staccato marks that could suggest photographic movement of stars. While investigating the construction and composition of the exhibit, and considering references to riches, isolation and stars in the title, I couldn't get the idea of a futuristic 'space station' out of my mind. Meanwhile I'm still contemplating the enigmatic Alabaster Burn a construction that defies any definition other then amazing. But then, that appellation can be employed with all the exhibits. Somehow, I get the distinct feeling the Carrs want each of us to find what we need in their work, and I thank them for that, and their work.
If you go into town for any reason at all during this dedicated holiday shopping season, do see this exhibition. It will soothe the soul and excite the imagination, with is what good art and excellent craft is all about - all year round.