How does one discover the true nature of glass when it can be manipulated into objects that range from decorative baubles to architectural church windows. We need a whole new vocabulary to discuss the process and product but for now words such as 'amazing', 'beautiful' and 'oooh/ahhhh' will have to suffice.

This exhibition claims to be a showcase of the diversity of glass-making techniques, and it certainly does just that. Here established professional glass artists and bright up-and-comers exhibit formed, sandblasted, slumped, cast and blown objects that sparkle with originality, colour and light.

First to catch the eye is Anne Clifton's dichroic perfume bottles and paperweights that sparkle and delight. Then there is the array of bright baubles in the form of earrings, pins, pendants and bracelets by Diane Cubitt, Estelle Dean and Janie Matthews, that provide a multitude of objects of desire. Take the time to examine each piece in the collection as the individuality and variety displayed intrigues.

Also intriguing is Ripple 1 by Barbara Del Fante. This small wall piece involves slumped glass painted in pale tints of blue and green that are assembled in layers to produce a simple presentation. However it's subtle appearance invites and involves the viewer as it offers a sense of peace similar to that evoked by the gentle flow of water. Peacefulness too is found in the stained glass windows by Vaughn Bisschops. These medieval inspired works, so meticulously produced in the traditional manner, are intended to be seen from a distance but prove a marvel when viewed close up. We can investigate the tiniest detail of the drawing and engage with the complexity of the process.

When it comes to wall sculptures, the black and orange Glassy Quadrature by Peter Bowles and Elizabeth Mavrick's Spring certainly display how they can work the glass to produce exciting abstractions that demand attention and satisfy the viewer. Matthew Goodlet's  Lily Vase and Stand 1 & 2 also appear sculptural. The organic forms, in a room full of mostly geometric shapes, remind us of the fluidity and malleability of the material. These green tinged vessels on delicate metal stands will comfortably hold anything from ambrosia of the gods to a bouquet of wild flowers.

Fluidity of form is also noted in the beautiful blown glass Tall Vase Blue by Gerry Reilly. Here the coloured pattern flows around the bulbous base, then swirls around the flawless form as it travels upward along the narrow neck to the top. An excellent piece.

This is a exhibition that offers a rewarding experience and hopefully will inspire other artists to explore the wonderful medium of glass, where the possibilities seem endless.