Free standing sculpture is the sum of all its sides. As well as being balanced and satisfying from every point of view, a sculpture should invite and allow tactile inspection. On the mezzanine level of the artist's studio we can walk around exhibits displayed on plinths, pick up and turn smaller ones in the hand, and view casts in the work space below, which all goes to make attending this exhibition an interesting and informative experience.

James's theme is the female figure in a variety of media including painting, drawing and etching as well as bronze sculpture. His 2D offerings are fine, they suggest explorations and thought processes that will, no doubt, eventuate in the sculpted form. For example the oil paintings Virgin Warrior I & II seem to relate to the half life-size sculpture Grape Sucking Siren as all employ strong line. While the black painted line is static, the sculptured edge is fluid as it draws the eye around the figure. Where the muscle turns from view there is either a sharp ridge or deep indentation that not only provides definition of the subject but accentuates its strength. The same technique is employed in Mist but suggests a different mood. Here the sculpted line, together with an exaggeration of the form, creates a strong sense of movement.

The smaller works provide a great deal of interest. Here we note a few references to Art Deco in such works as Iris Bud that depicts a figure growing up from long leaves that still sheathe her legs, and The Gift where a figure stands with outstretched arms and empty hands. She has either just made her offering is waiting to receive one. Smaller still yet with the most charm is the relaxed figure of White Bud who stands, weight on one leg, hands holding elbows behind her back, and head tilted. She seems to be quietly studying us with the same interest we show while examining the exhibits.

Interest is certainly peaked while perusing the collection of bronze pears. They are near life size renditions of the hip section the female torsos. These surfaces are silky smooth and so inviting I defy anyone to stand next to one and not stroke it. We have to admire these most sensuous and fecund images of fruit.

You've seen James's works in public spaces around Perth, Fremantle, Kings Park and UWA campus, now see his work in a personal space. Walk around them, touch them, it will only add to your appreciation of the artform and the artist's talent.